"He who does not know the real design, will turn to an imitation"
NSAA(n-sah): refers to the genuineness and authenticity of an object. It reflects excellence and its use is intended to discourage satisfaction with objects of lower quality or of second nature!This is a very important word for me because being & staying true to one's self is some real shit and some real talk for those of us who have transcended struggle with letting go of your pre-conditioned way of thinking and thus believing!Believing in everything and nothing simultaneously without having an expectation of another and the Karma of Reciprocity in return!It can be a Bitch to walk around actively consciously aware of not only yourself but others and their needs and not receive the same Grace in return and sometimes it can be a Triple Bitch when you are somehow deeply affected by others actions!Well, to be frankly honest my fellow friends, this ish has been going on for years and I have just about come to the conclusive understanding through trial & error that no one is responsible for your happiness but you!The world is your idea and you have the power to create your reality however you desire whether egoically or holistically!Stay True to thy self always by taking time to embody a sense of self-interest and not self-centeredness!Special Cosmic Love,Night Nurse
Monday, December 27, 2010
RIP Ivory Queen! When I first saw the headlines today, I was literally in disbelief but to my dismay reports confirmed by CNN: The Ivory Queen has transcended the physical, she will be terribly missed! As a kid I grew up listening to her music & by no means did she lack soul or the lioness's roar when she belted out some of the dopest songs ever! Y'all remember that Square Bizness! She is one of my eternal creative muses that will always have an influential place in my Queendome. Celebrate her wonder and support her legacy by voting her in The Music Hall of Fame.
Biography provided by: www.ivoryqueenofsoul.com
For nearly three decades, pint – sized, soul stirring songstress Teena Marie has undeniably been a force to be reckoned with in the nearly thirty years of her professional performing career. The accomplished singer, songwriter, producer and arranger has managed to consistently capture the hearts and spirits of millions of fans with her music. As we’ve listened to the passionate R&B grooves on her twelve studio albums and equal number of compilations, the love and emotion Teena Marie has expressed flows like the purest waterfall. On Sapphire, Ms. Marie’s second release on Cash Money Classics/Universal Motown, the vocalist shines brighter then ever.
The four times grammy nominated, Mary Christine Brockert had a strong African-American influence from her godmother. Blessed with the gift of music at a young age, the Santa Monica, California native was raised on Motown music. Singing Harry Belafonte by age two, Ms. Marie’s self-professed “Gift from God” would become fine-tuned as the years progressed.
Signed to her dream label at age 19, Teena Marie’s magic would be further developed under the tutelage of the legendary, Rick James. Her 1979 debut Wild And Peaceful, produced by James, garnered a #8 R&B single with “I’m A Sucker For Your Love.” One year later, her second and third albums, Lady T and Irons in the Fire were released, producing the hit classics “Behind The Groove” and “I Need Your Loving” respectively. By this time, Teena Marie took creative control of producing, writing and arranging her material. In 1981 Ms. Marie released the platinum selling It Must Be Magic, which featured the up-tempo “Square Biz” and slow jam “Portuguese Love.”
In 1982, Motown sued Teena Marie for breach of contract after she informed the label that she no longer wanted to perform; in turn, Ms. Marie filed a countersuit against the legendary company and won. The countersuit resulted in the landmark artists’ rights initiative known as “The Brockert Initiative,” - Ms. Marie’s last name - placing strict limitations on the length of artist/company contracts. This historical entertainment mandate states that no recording company can contractually bind an artist while refusing to release his/her product.
After winning the lawsuit, Teena Marie signed to Epic Records (1983), and went on to record five more albums throughout the late eighties and early nineties, including Starchild and the hit single “Lovergirl” and Naked to the World which features the smash hit “Ooo La La La.” Teena independently released Passion Play on her own Sarai Records in 1994, but it wasn’t until ten years later that she would resurface to again share her voice and talent with the world.
As the sole artist signed to Cash Money Classics, the subsidiary of New Orleans rap entity Cash Money Records, Teena released La Doña in 2004, which yielded the grammy nominated #1 hit “Still In Love.” Now with her latest effort Sapphire, Teena continues to bridge the gap across genres, cultures and colors.
The sudden passing of Teena Marie’s mentor and friend Rick James in 2005 served as the backdrop to the creation of Sapphire. Their often tumultuous, always fertile relationship served as inspiration once again, for Ms. Marie’s, as she put pen to paper and recalled the indescribable experience of working with such a creative force of nature as Rick James. “I really couldn’t deal with my pain and I think that God intervened. Actually, I felt like Rick was with me writing. Some nights I would just sit up in the bed like he tapped me on the shoulder ‘Get up and write this song.’ It was a blessing that I had that album to write because I don’t know what I would have done if I didn’t have that creative outlet.” Titled after an unreleased Rick James tune of the same name about the history of African-American women, Teena Marie also recalled that sometimes James referred to her as 'his sapphire.' While the process to create Sapphire was healing, the album is also uplifting, centered in love and layered with romantic, even sexy overtones.
Teena Marie’s creative muse was also stirred by her relationship with her 14-year old daughter Alia Rose who appears throughout Sapphire. Ms. Teena describes their musical relationship comparable to Eddie and Gerald Levert, calling Alia “mini me…When we sing together in harmony you can’t tell us apart. It’s like the whole family thing, there’s something so magical about that. She’s really talented and it’s beautiful to watch this flower bloom.”
“Resilient (Sapphire)” featuring Alia Rose tells a powerful and honest tale. Ms. Marie originally wrote the song in honor of her best friend’s grandmother Demitra, a Holocaust survivor. Coincidentally, Demitra died around the same time as Rick James. Propelled by Demitra’s story and life coupled with the unfortunate advent of Hurricane Katrina, Teena Marie and Alia’s duet was born. “I thought that would be a great testimony to Demitra to take a piece of what happened because she lived that same kind of life.”
With guest appearances by Smokey Robinson, Kurupt and Gerald Albright, making Sapphire became a family affair for Teena Marie. As a member of first generation Motown, Smokey Robinson was Ms. Marie’s silent mentor and idol before she was even signed to the label. Nicknamed Little Smokey by her teenage peers, Teena Marie studied his writing through song, “his lyrics, love poetry, that’s how I really feel I learned how to write.” Collaborating for the first time on “God Has Created” and “Cruise Control,” the musical chemistry was potent. “Smokey is just so brilliant.”
I just had to sit back, relax, and watch a master do his thing. The music, he just loved it so much because it was so Smokey Robinson influenced. My whole career was so influenced by him that it just fit, it was a perfect fit.”
Being the first R&B artist to rap and sing on her own records, Ms. Marie has contributed much to the world of hip-hop and, in turn positive hip-hop in it’s purest form influenced her. Kurupt, his wife Gail Gotti and her sister Queen all lend their talents to Sapphire. As she describes it: “They’re like my grown kids.” Intrigued by the rap, sung, spoken word combination, Teena Marie wrote the rhyme Kurupt performs on “Baby Who’s Is It,” while Gail Gotti and Queen do their own thing on “Ladies Choice.”
Forever young, Teena Marie is as focused and passionate as ever: “What I think they [the listener] will feel is the sincerity of the lyrics. The younger people, I think they’ll get to hear what we [Rick James & Teena] were and more of who I am. I’m most proud professionally, of the legacy I've been able to create through my music. I also still get a charge when I see all those faces out there during a live performance. Faces that have looked back at me and touched me the way I hope I've touched them. Believe me that feeling shines as bright as any gem."
Sunday, December 26, 2010
Saturday, December 25, 2010
Thursday, December 16, 2010
EGYPT! how I have dwelt with you in dreams, So long, so intimately, that it seems As if you had borne me; though I could not know, It was so many thousand years ago! And in my gropings darkly underground The long-lost memory at last is found Of Motherhood—you Mother of us all! And to my fellow-men I must recall The memory too; that common Motherhood May help to make the common brotherhood. Egypt! it lies there in the far-off past, Opening with depths profound and growths as vast As the great valley of Yosemité; The birthplace out of darkness into day; The shaping matrix of the human mind; The Cradle and the Nursery of our kind. This was the land created from the flood, The land of Atum, made of the red mud, Where Num sat in his Teba throned on high, And saw the deluge once a year go by, Each brimming with the blessing that it brought, And by that water-way, in Egypt’s thought, The Gods descended; but they never hurled A Deluge that should desolate the world. There the vast Hewers of the early time Built, as if that way they would surely climb The heavens; and left their labours without name— Colossal as their carelessness of fame— Sole likeness of themselves—that heavenward For ever look with statuesque regard, As if some Vision of the Eternal grown Petrific, was for ever fixed in stone! They watched the Moon re-orb, the Stars go round, And drew the Circle; Thought’s primordial bound. The Heavens looked into them with living eyes, To kindle starry thoughts in other skies, For us reflected in the image-scroll That night by night the stars for aye unroll. The Royal Heads of Language bow them down To lay in Egypt’s lap each borrowed crown. The light of Asia was of Afric born; Africa, dusky Mother of the Morn; She bore the Babe-Messiah meek and mild, The Good Lord Horus, the Eternal child: The unhistoric Saviour,—hence divine— Buddha in India; Christ in Palestine! The glory of Greece was but the After-glow Of her forgotten greatness lying low. Her Hieroglyphics buried dark as night, Or coal-deposits filled with future light, Are mines of meaning; by their light we see Through many an overshadowing mystery. The nursing Nile is living Egypt still, And as her lowlands with its freshness fill, And heave with double-breasted bounteousness, So doth the old Hidden Source of Wisdom bless The nations; secretly she brought to birth, And Egypt yet enriches all the earth.
Wednesday, December 15, 2010
Tuesday, December 14, 2010
Saturday, December 11, 2010
Thursday, December 9, 2010
Wires transform these objects from inanimate to hilarious works of art.
Night Nurse strikes platinum again, please send love and your thoughts by leaving a comment!